He quickly abandoned post-Romanticism and "Debussyism," and was drawn to jazz and Dadaism. It takes a lot of energy and commitment, but also delicacy to take on this permanent lyricism whose overactivity can obscure the meaning and clarity of architecture.
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The overall sound for the three instrumentalists is warm and Gay dating Monteiro as well, with a natural presence, the several instruments together in excellent balance". The booklet notes also by Bruno Monteiro, although brief, are informative and helpful.
Monteiro and his friends play it with a full measure of fluid grace, sophistication, and brilliance, never sentimentalizing the plush harmonies.
The playing in the Suite and the Sonatas Nos. Bruno Monteiro can only offer his broader, hazier but more mysterious tone as an alternative.
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One can not be mistaken: all this music first sets formidable technical requirements for both performers, while the interpretations also require the greatest possible refinement.
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